It presents the people and occupations of a New England farming town in such a way as to capture the feel of the time and place involved. Louisa Ellis becomes real to the reader as a simple person who must choose between two clear and mutually exclusive options. At home, for example, she wears three aprons—a green gingham apron for working, a calico apron for sewing, and a white linen apron for company.
When Louisa is outside her home, she discovers life is not what it seems and she becomes the equivalent to a nun. She is alone and dedicated to keeping her house neat and other domestic activities. Although many feminists at the time were rejecting housework as a way to liberate themselves, Freeman shows her character embracing domestic tasks as a way to indulge in her solitude.
Quick Points Although many feminists at the time were rejecting housework as a way to liberate themselves, Freeman shows her character embracing domestic tasks as a way to indulge in her solitude.
Louisa set herself onto a "path" that she can only walk alone on. This path represents her independence and foreshadows to the end of the story.
Freeman chooses to give the desire to free the dog from its chain to Joe, not Louisa. Louisa believes that the dog may go on a "rampage" once it is set free. Louisa can never leave her home without ridding herself of her internal independence.
She becomes so attached to her feminine belongings and lifestyle, that the idea of moving these items to a new home, where they will be mixed with masculine elements, rids them of their significance. But the greatest happening of all This path represents her independence and foreshadows to the end of the story, when she decides to live alone: As an independent woman, Louisa is to travel the path of life solo, without the dependence on any man.
The canary is caged to prevent it from flying away. When Joe enters the room, the canary "that had been asleep in his green cage at the south window woke up and fluttered wildly, beating his little yellow wings against the wires.
He always did so when Joe Dagget came into the room" 2. Like the canary, when Louisa hears Joe coming, she rushes to take off and fold her sewing apron "with methodical haste" 4. In his presence, Louisa feels caged because she lived alone for so long. By agreeing to marry Joe, Louisa is giving up some aspects of her independence.
Caesar is described as a "hermit," secluded in his home. Since Caesar symbolizes Louisa in many aspects, we can assume that like Caesar, Louisa is also a hermit. Not only this, but the dog and Louisa are both prisoners with different masters: Similarly, Louisa is chained to her marriage, a prisoner of her absent husband.
Have you ever felt caged like Louisa?“A New England Nun” is a rich example of local-color writing. It presents the people and occupations of a New England farming town in such a way as to capture the feel of the time and place.
A New England Nun and Other Stories has ratings and 24 reviews. Werner said: Mary E. Wilkins Freeman mined the same territory in her native rural New /5.
A New England Nun: And Other Stories [Mary Eleanor Wilkins Freeman] on yunusemremert.com *FREE* shipping on qualifying offers.
This is a reproduction of a book published before This book may have occasional imperfections such as missing or blurred pages/5(3). "A New England Nun" is the story of Louisa Ellis, a woman who has lived alone for many years.
Louisa is set in her ways, she likes to keep her house meticulously clean, wear multiple aprons, and eat from her nicest china every yunusemremert.comher: Harper & Brothers.
Nov 08, · In her work, "A New England Nun," Mary E. Wilkins Freeman illustrates a woman's struggle with the commitment of marriage after waiting fourteen years for her fiancé to return from Australia, where he was making money to support yunusemremert.coms: 5.
A New England NunMary E. Wilkins Freeman Author BiographyPlot SummaryCharactersThemesStyleHistorical ContextCritical OverviewCriticismSourcesFurther Reading.